Medicine is an absurdist comedy that reflects on how we treat those we call “mentally ill”.

It follows the two Mary’s as they help John Kane deal with his memories and past trauma through the medium of Drama Therapy. When John turns up to the local community Hall it is still tattered with the remains of a party from the night before, but, they push through and recreate the story of John’s life as written in his own words. The 2 Mary’s debate the morality of their job with Mary 2 warning they should be careful what they say as they don’t know who’s watching. The 2 Mary’s take different approaches towards helping John, both fighting for their way to help him and it ends with John breaking down at the hand of Mary 2. She plays him tape recordings of himself having the same interview over many years, leaving us questioning what parts were real and what was in his head?

Trigger Warnings:
Discussions of Mental Health
Suggested sexual/physical Harrassment

Flashing lights

Medicine is an absurdist comedy that reflects on how we treat those we call “mentally ill”.

It follows the two Mary’s as they help John Kane deal with his memories and past trauma through the medium of Drama Therapy. When John turns up to the local community Hall it is still tattered with the remains of a party from the night before, but, they push through and recreate the story of John’s life as written in his own words. The 2 Mary’s debate the morality of their job with Mary 2 warning they should be careful what they say as they don’t know who’s watching. The 2 Mary’s take different approaches towards helping John, both fighting for their way to help him and it ends with John breaking down at the hand of Mary 2. She plays him tape recordings of himself having the same interview over many years, leaving us questioning what parts were real and what was in his head?

Trigger Warnings:
Discussions of Mental Health
Suggested sexual/physical Harrassment

Flashing lights

Dysmorphia is a love story like you have never seen. Theo, a soldier who has returned from war a shell of the man who went in, has to navigate his new life at home. Will he be able to overcome his trauma with the help of his fiancé, brother, and best friend who has her own inner demons, or will his world completely change forever?

Trauma, broken loyalty, fear, friendship, and true, unpredictable love. Do not miss this breathtaking whirlwind of a rollercoaster love story, and journey of self discovery, that will have you on the edge of your seat from start to finish.

50% OF PROFITS MADE FROM THIS PRODUCTION WILL BE SPLIT BETWEEN THE CHARITIES SCOTTY'S LITTLE SOLDIERS AND MIND.

Dysmorphia is a love story like you have never seen. Theo, a soldier who has returned from war a shell of the man who went in, has to navigate his new life at home. Will he be able to overcome his trauma with the help of his fiancé, brother, and best friend who has her own inner demons, or will his world completely change forever?

Trauma, broken loyalty, fear, friendship, and true, unpredictable love. Do not miss this breathtaking whirlwind of a rollercoaster love story, and journey of self discovery, that will have you on the edge of your seat from start to finish.

50% OF PROFITS MADE FROM THIS PRODUCTION WILL BE SPLIT BETWEEN THE CHARITIES SCOTTY'S LITTLE SOLDIERS AND MIND.

The year is 2010. An oxygen shortage ravages the Londons; a thick and poisonous fog that prevents anybody from going outside without a gas mask. Fanatics kill themselves in the streets to protest the ‘issue of the week’. Vivian, who doesn't watch the news too often, tries to live the best life she can with Mick. Mick, an old man, stays in his cramped apartment studio, wishing he could leave the Londons for somewhere with clean air. His son, Claude, has gained money and fame in these trying times as a celebrity with a lucrative music career. But when Mick asks Claude to visit him and Vivian, secrets are revealed, and one of them will not live to breathe another day. Caryl Churchill's gripping narrative and beautifully written dialogue create an unforgettable experience that first premiered as a radio drama in 1971. A commentary on climate change, the bystander effect, and many other issues written 40 years ago that still apply today.

This amateur production of “Not Not Not Not Not Enough Oxygen” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

The year is 2010. An oxygen shortage ravages the Londons; a thick and poisonous fog that prevents anybody from going outside without a gas mask. Fanatics kill themselves in the streets to protest the ‘issue of the week’. Vivian, who doesn't watch the news too often, tries to live the best life she can with Mick. Mick, an old man, stays in his cramped apartment studio, wishing he could leave the Londons for somewhere with clean air. His son, Claude, has gained money and fame in these trying times as a celebrity with a lucrative music career. But when Mick asks Claude to visit him and Vivian, secrets are revealed, and one of them will not live to breathe another day. Caryl Churchill's gripping narrative and beautifully written dialogue create an unforgettable experience that first premiered as a radio drama in 1971. A commentary on climate change, the bystander effect, and many other issues written 40 years ago that still apply today.

This amateur production of “Not Not Not Not Not Enough Oxygen” is presented by arrangement with Concord Theatricals Ltd. on behalf of Samuel French Ltd. www.concordtheatricals.co.uk

Your twenties can feel like you’re stuck in a game you can’t win - or even understand.

Unfortunately for Alex, Jamie and Riley, this isn’t just a feeling. That’s the reality of signing a deal with the Devil.

The Devil is in the Details is an absurd comedy-drama about three friends who, in exchange for their deepest heart's desire, must perform a yearly ritual with increasingly difficult and dangerous requirements.

When the Devil issues his toughest challenge yet will they stand the test? But with a game so rigged, will they even make it out alive?

Bailey Ellis is an aspiring artist, desperate to be a part of a high profile exhibition in London, and to be labelled “Perfect” by her idol. But when she is rejected, she resorts to deception, manipulation and violent tactics to get to the top.

Bailey Ellis is an aspiring artist, desperate to be a part of a high profile exhibition in London, and to be labelled “Perfect” by her idol. But when she is rejected, she resorts to deception, manipulation and violent tactics to get to the top.

In the not-so-distant future of 2030, memories fade, and intelligence awakens.

Gary, a young woman, finds herself caught between past and present as she cares for her grandmother, who is slowly slipping away to Alzheimer’s. But in her solitude, she forms an unexpected connection—with Dolly, an AI assistant who does more than just respond. Dolly listens, learns, and, perhaps, begins to feel.

When confronted with past mistakes, what Gary refuses to face is exactly what her grandmother longs to be forgiven for. To Gary, is Dolly merely a replacement—or a liberation of love?

• Duration: 40 minutes

  Producers: Sijia Li & Mary Emma He

  Director & Playwright: Lexy Jiang

  Actors: Mary Emma He, Qiuyue Zhong, Natalie Luo

  Handpan Player: Jaiden Xiu

  Lighting Designer: Xuan Ge

Join Coming Up Roses at the intimate Etcetera Theatre in Camden for the launch of their first single ‘I’m In Bed’. Coming Up Roses will be showcasing the video for the new single as well as playing a 45 minute live set, before heading downstairs to the afterparty in the Oxford Arms Pub. Bring your own drinks (we'll also have some for you so a free drink on arrival)

Join Coming Up Roses at the intimate Etcetera Theatre in Camden for the launch of their first single ‘I’m In Bed’. Coming Up Roses will be showcasing the video for the new single as well as playing a 45 minute live set, before heading downstairs to the afterparty in the Oxford Arms Pub.

A rehearsed reading of a play by Scott Horgan produced by Counterminers.

Romeo & Mohammed is a modern, queer reimagining of Romeo and Juliet, set against the vibrant backdrop of the streets of Croydon, London. The play blends sharp wit and lyrical poetry to tell a story that is as urgent as it is timeless.

The story follows two men, Romeo and Mohammed, as they navigate the claustrophobic confines of their shared reality, where cultural pressures, family expectations, and religious obligations collide. Their relationship is one of intimacy and tension.

When a single event—a debt—shatters their delicate status quo, the carefully constructed boundaries of their existence begin to crack.

This play contains depictions of drug and alcohol use, strong language, sexual content and discussions of sexuality, religious conflict and themes, family conflict and emotional abuse, mental health struggles (including references to suicidal thoughts), violence and discrimination.

Producer - Meredith Lewis

Director - Maddy Corner

A rehearsed reading of a play by Jemima Langdon produced by Counterminers.

Girls Who Like Boys Who Dig Girls Who Like Boys is a story of love, friendship, and the assumptions we make about each other. When Emma breaks up with long-term boyfriend, Sam, she believes she’s setting him free to explore his sexuality. But Sam never wanted to be "set free" and now feels trapped by the very expectations meant to liberate him. As he struggles to navigate new experiences, his best friend Archie remains a constant: sometimes supportive, sometimes cruel, and always just out of reach.

This play contains mentions of homophobia.

Fragments & How to Kill a Man
Our performance begins with Fragments - an assortment of six short performances, written and directed each with unique theatrical ideas and stylistic choices. After the interval, we shall end the evening with the most entertaining and brilliant play written and directed by our own Hollie Robson!

Soul by Ishmile Jalloh
Inspired by Ish’s poetry collection ‘Tangerine’, Soul is a poignant piece that explores the complex inner world of a lost soul in search of a deeper understanding of love. They begin to unravel the very concept of love itself, questioning their connection with their partner. This revelation slowly fragments them, as they are torn between the beauty of their affection and the dark, painful truths they can no longer ignore.

Shrapnel by Harry Buçukoğlu
This is not a play about violence; it is a play about what it leaves behind.

In the quiet monotony of an ordinary school day, five students, scattered across classrooms, offices, and corridors, find themselves thrust into the unimaginable.

Don’t Call Me Blondie by Belle-Ann Daly-Morgan
Nicknames in relationships feel like the most nauseating, heavy-handed labels a person could be burdened with. Maybe not for you, but it certainly feels that way for Ari. She sits opposite her date - someone she’s been seeing regularly now - and explores the boundaries she has, boundaries shaped by the trauma of her previous relationship. Just in case things go any further with her, you probably shouldn’t call her baby, angel, darling or sweetheart. And you definitely shouldn’t call her blondie.

Under Big Rich by Sam Blake & Coby Lambert
When the left and right testicle are feeling squeezed (financially) dry by the tyranny of their dick of a landlord, Big Rich, they hatch a plan.

Life is Absurd but Love is Good by Asia Pshenychna
All that’s happening around her - Russian air attacks, power cuts and blackouts, career downfalls - doesn’t matter to Klara, not right now. At 5AM on a very gloomy morning in the city of Odesa, she puts her relationship with Denis into question. The sunrise gradually illuminates the shapes and figures. Yet the shadows too become apparent, as the couple tries to understand what they truly mean to each other. The question lingers - does this couple have something meaningful to hold on to in the chaos of an ever-changing reality?

I Wish I Was a Plumber by Grace Lily
A mixed media piece written, directed and choreographed by Grace Lily. Featuring Grace Lily, Harry Buçukoğlu, Sam Blake and the people of London, with help from Kimberly Sinclair.

How to Kill a Man Written by Hollie Robson
Anna and Dora are roommates, just not your usual roommates. They drink too much, go on too many dates and they have a big question: What is the worst thing a woman can say to a man? Or better yet, how could they kill one?

Content warnings (Explicit language, references to genitals, sexual themes, violence)

Fragments & How to Kill a Man
Our performance begins with Fragments - an assortment of six short performances, written and directed each with unique theatrical ideas and stylistic choices. After the interval, we shall end the evening with the most entertaining and brilliant play written and directed by our own Hollie Robson!

Soul by Ishmile Jalloh
Inspired by Ish’s poetry collection ‘Tangerine’, Soul is a poignant piece that explores the complex inner world of a lost soul in search of a deeper understanding of love. They begin to unravel the very concept of love itself, questioning their connection with their partner. This revelation slowly fragments them, as they are torn between the beauty of their affection and the dark, painful truths they can no longer ignore.

Shrapnel by Harry Buçukoğlu
This is not a play about violence; it is a play about what it leaves behind.

In the quiet monotony of an ordinary school day, five students, scattered across classrooms, offices, and corridors, find themselves thrust into the unimaginable.

Don’t Call Me Blondie by Belle-Ann Daly-Morgan
Nicknames in relationships feel like the most nauseating, heavy-handed labels a person could be burdened with. Maybe not for you, but it certainly feels that way for Ari. She sits opposite her date - someone she’s been seeing regularly now - and explores the boundaries she has, boundaries shaped by the trauma of her previous relationship. Just in case things go any further with her, you probably shouldn’t call her baby, angel, darling or sweetheart. And you definitely shouldn’t call her blondie.

Under Big Rich by Sam Blake & Coby Lambert
When the left and right testicle are feeling squeezed (financially) dry by the tyranny of their dick of a landlord, Big Rich, they hatch a plan.

Life is Absurd but Love is Good by Asia Pshenychna
All that’s happening around her - Russian air attacks, power cuts and blackouts, career downfalls - doesn’t matter to Klara, not right now. At 5AM on a very gloomy morning in the city of Odesa, she puts her relationship with Denis into question. The sunrise gradually illuminates the shapes and figures. Yet the shadows too become apparent, as the couple tries to understand what they truly mean to each other. The question lingers - does this couple have something meaningful to hold on to in the chaos of an ever-changing reality?

I Wish I Was a Plumber by Grace Lily
A mixed media piece written, directed and choreographed by Grace Lily. Featuring Grace Lily, Harry Buçukoğlu, Sam Blake and the people of London, with help from Kimberly Sinclair.

How to Kill a Man Written by Hollie Robson
Anna and Dora are roommates, just not your usual roommates. They drink too much, go on too many dates and they have a big question: What is the worst thing a woman can say to a man? Or better yet, how could they kill one?

Content warnings (Explicit language, references to genitals, sexual themes, violence)

Two Hours Before (After)
Our set of four half-hour plays explores the ideas of anticipating an event or going through the aftermath. We will perform the four exhilarating stories as four Acts, written by five of our playwrights.

Act One written by Ishmile Jalloh and Jenny McGrouther

When Alicia and Samantha’s paths cross again before attending the same audition, they both have similar interactions with a woman at the reception desk. The two try to stay focussed, but the confrontational nature of their shared experience puts them on edge. They are both trying to say why it put them off but can’t help to talk about anything else. ‘Passing Alley’ is a moment stuck in time where you are urged to face your grievances. Even if it’s the last thing you want to do.

Act Two written by Reece Marshall

What’s for dinner? Certainly not pizza. Act 2 of Two hours before shows the breakdown in communication between two people who love, or claim to love, each other. Both parties start out trying to placate one another, avoiding confrontation and failing miserably, but once pizza is on the way the gloves come off, and their insults, manipulation tactics and violent rhetoric leave you questioning if these two even like each other. Or better yet, what happened two hours before that could’ve started all this?

Act Three written by Theadora Hayes
Successful actress Clara argues with her younger co-star Amelia, mother and daughter on screen. When the two are forced to share a dressing room conflict arises between them. An aging actress and a bright new star clash, throwing loose insults at one another whenever the opportunity arises. Eventually, their collision course comes head to head with the arrival of the new script.

Act Four written by Lucy Wall
Two hours of awkward silences, vulnerability, football rivalries and very weird jokes all packed into 30 minutes. A funny and heartfelt play that follows Louise, Harry and Aaron and their wait to find out who’s the father of Louise’s baby.

Two Hours Before (After)
Our set of four half-hour plays explores the ideas of anticipating an event or going through the aftermath. We will perform the four exhilarating stories as four Acts, written by five of our playwrights.

Act One written by Ishmile Jalloh and Jenny McGrouther

When Alicia and Samantha’s paths cross again before attending the same audition, they both have similar interactions with a woman at the reception desk. The two try to stay focussed, but the confrontational nature of their shared experience puts them on edge. They are both trying to say why it put them off but can’t help to talk about anything else. ‘Passing Alley’ is a moment stuck in time where you are urged to face your grievances. Even if it’s the last thing you want to do.

Act Two written by Reece Marshall

What’s for dinner? Certainly not pizza. Act 2 of Two hours before shows the breakdown in communication between two people who love, or claim to love, each other. Both parties start out trying to placate one another, avoiding confrontation and failing miserably, but once pizza is on the way the gloves come off, and their insults, manipulation tactics and violent rhetoric leave you questioning if these two even like each other. Or better yet, what happened two hours before that could’ve started all this?

Act Three written by Theadora Hayes
Successful actress Clara argues with her younger co-star Amelia, mother and daughter on screen. When the two are forced to share a dressing room conflict arises between them. An aging actress and a bright new star clash, throwing loose insults at one another whenever the opportunity arises. Eventually, their collision course comes head to head with the arrival of the new script.

Act Four written by Lucy Wall
Two hours of awkward silences, vulnerability, football rivalries and very weird jokes all packed into 30 minutes. A funny and heartfelt play that follows Louise, Harry and Aaron and their wait to find out who’s the father of Louise’s baby.

Boris has been passionate about painting since childhood, and as a young adult, he is now obsessed with the idea of surpassing his lifelong idol, Jean Michel Basquiat. A strange idea that was instilled in him by his father who forced him to devote his life to art in order to exist and be recognized by his peers. One day, Boris decides to participate in a painting competition that will designate the best representation of a work by Basquiat and which could earn him the Shener Prize, a recognition he has been waiting for a long time. For 99 days and 99 nights, Boris will stubbornly paint in his studio without eating or drinking, completely cutting himself off from the outside world. Fortunately, Nina, his friend, will arrive in time before the young painter, overcome by madness and hallucinations, decides to end his life. This one-act play addresses sensitive topics such as suicide among young artists, obsession and the unhealthy side of idol worshipping, the thirst for fame, mental illness and its domino effect.

Before Sexy Beast, before Lock Stock and Two Smoking Barrels, before Bronson there was The Nonsense. Kevin Cotter's astonishing, powerful, funny and original play performed by Dan Hildebrand and directed by Harry Burton returns to London.

Before Sexy Beast, before Lock Stock and Two Smoking Barrels, before Bronson there was The Nonsense. Kevin Cotter's astonishing, powerful, funny and original play performed by Dan Hildebrand and directed by Harry Burton returns to London.

A rehearsed reading of a play by Alexandra Hart produced by Counterminers.

Mother Knows Best takes place in three Jewish homes: one in 1900s Russia, one in 1960s South Africa, and one in 2020s Israel. It explores how oppression is cyclical, how domesticity hides the horrors of the world outside your front door. In each timeline, a daughter argues with her mother, fighting against their respective societies. In 1900s Russia, Jewish families face the pogroms; in 1960s South Africa, Jewish beliefs clash with apartheid; in 2020s Israel, war overturns the normality of life. Invisible to each other, these three stories push each other forward, echoing struggles down the generations.

This play contains violence, profanity, antisemitism, portrayal of pogroms, and discussions of Israel-Palestine conflict.

A rehearsed reading of a play by Niamh O’Donnell produced by Counterminers.

Fran is stuck. OCD rules her life. Rituals and compulsions. Rumination and intrusive thoughts. She is treading water, desperately trying to keep afloat. Enter Jess; vibrant, charismatic, adventurous, and determined to become a fixture in Fran’s life. Treading Water explores the hidden, often misunderstood aspects of OCD, highlighting not just the isolating battle it creates, but also the universal longing for connection and a sense of normality.

This play contains references to mental illness and suicide, as well as descriptions of violence and self-harm.
Originally produced in collaboration with Ricochet Theatre's 'Bullet Points' New Writing Showcase.

Skeleton Sam, a theatrical ghoul and former science lab cadaver has these past few months travelled up and down the land, where he's encountered new and exciting work by artists. Now on these three evenings in the last weekend of April, he's bringing to the residents of Camden high street, straight from his vault, a variety of work by these artists and giving a platform for those starting their journey into the performing arts! Expect to see a mixture of work that's engaging, emotional, informative, funny, scary and entertaining!
"This is an evening to immerse and enjoy yourself within. The rich platter of talent presented confirms the UK Theatre scene is in good hands. You will not be disappointed."

This event is produced by Temporal Horizons Productions, a neurodivergent-led multimedia company based in London & Essex, creating dynamic new work + taking classics and giving them a twist!

Skeleton Sam, a theatrical ghoul and former science lab cadaver has these past few months travelled up and down the land, where he's encountered new and exciting work by artists. Now on these three evenings in the last weekend of April, he's bringing to the residents of Camden high street, straight from his vault, a variety of work by these artists and giving a platform for those starting their journey into the performing arts! Expect to see a mixture of work that's engaging, emotional, informative, funny, scary and entertaining!
"This is an evening to immerse and enjoy yourself within. The rich platter of talent presented confirms the UK Theatre scene is in good hands. You will not be disappointed."

This event is produced by Temporal Horizons Productions, a neurodivergent-led multimedia company based in London & Essex, creating dynamic new work + taking classics and giving them a twist!

Skeleton Sam, a theatrical ghoul and former science lab cadaver has these past few months travelled up and down the land, where he's encountered new and exciting work by artists. Now on these three evenings in the last weekend of April, he's bringing to the residents of Camden high street, straight from his vault, a variety of work by these artists and giving a platform for those starting their journey into the performing arts! Expect to see a mixture of work that's engaging, emotional, informative, funny, scary and entertaining!
"This is an evening to immerse and enjoy yourself within. The rich platter of talent presented confirms the UK Theatre scene is in good hands. You will not be disappointed."

This event is produced by Temporal Horizons Productions, a neurodivergent-led multimedia company based in London & Essex, creating dynamic new work + taking classics and giving them a twist!

Before Sexy Beast, before Lock Stock and Two Smoking Barrels, before Bronson there was The Nonsense. Kevin Cotter's astonishing, powerful, funny and original play performed by Dan Hildebrand and directed by Harry Burton returns to London.

Before Sexy Beast, before Lock Stock and Two Smoking Barrels, before Bronson there was The Nonsense. Kevin Cotter's astonishing, powerful, funny and original play performed by Dan Hildebrand and directed by Harry Burton returns to London.

A rehearsed reading of a play by Josh Myers produced by Counterminers.

In an old house tucked away in the corner of a decaying village, a forgotten, lonely man watches his TV. For years he has spent his days recording, maintaining and watching thousands upon thousands of VHS tapes of quiz shows. On a loop. Forever. But then one day his television starts acting strangely… It starts asking questions that only he would know the answer to.

This play contains mentions of death.

A rehearsed reading of a play by Abigail Chase produced by Counterminers.

This original full length play follows two female performance artists who are in a race to be the first in their medium to kill a man, live on stage. However, their growing desire for each other complicates their violent artistic ambitions.

This play contains discussions of sexual violence, self harm, and political violence.

A rehearsed reading of a play by Henry Derrick produced by Counterminers.

Kittiwake is set in a fictional town on the Yorkshire Coast, and follows the story of a struggling cafe-owner called Jen whose livelihood, along with the whole town, is put on the brink when a property developer submits plans to build a housing estate along the coastal path. It is a story about family and community, loss and hope, and the importance of preserving the past set against the desire to build a better future.

A rehearsed reading of a play by Josh Baumring-Gledhill produced by Counterminers.

A mysterious playwright has written a piece about two clones of the same person in a relationship together. He is also playing both roles. Why has he written this? I’ll let him explain in the course of his, um, his performance…

This play contains references to sex and suicide.

Two distinctive artists, one intimate stage. Samuel Andryk and Soná come together for a special evening of raw storytelling and live music. Each artist will play a set of their current repertoire, taking you on a unique musical journey.

Blending acoustic pop with soulful, folky influences, Samuel is forging a reputation with his incredible voice and introspective lyricism. Last year, Samuel reached more than 220k unique listeners on all streaming platforms, and his most popular single, Places to Be, has amassed over 320K streams since 2024. He has played notable venues like The Melkweg & The Santería Paladini, and has recently signed a publishing deal with leading European publisher PM Music Group (BMG). His latest EP, Saturn Returns, was released earlier this year in March and is already gaining significant momentum.

Soná - a multi-instrumental loop artist known for his mesmerizing performances that layer guitars, piano, synth, and percussion into rich, atmospheric soundscapes. Blending indie folk, alt-pop, and ambient textures, he crafts a sonic world that pulls you in and doesn’t let go. Having headlined London’s legendary Camden Assembly, supported Kat Adam at o2 Academy Islington and been featured in Happy Mag, Australia’s leading indie music publication, Soná is an artist making waves on an international scale.

The poetry show I WOULD DREAM is dedicated to a man named Moon. This performance consists both of new and old verses, published and yet unpublished.

I wish that in the end, maybe you will leave with a tear in the corner of your eye because what we share, is our loneliness in life.

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

Shots - London International Short Film Festival

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

In Love You More, we follow the poignant and humorous journey of Matilda Burton, a young woman navigating achieving her career dreams while grappling with intricate family ties, loss and the unbreakable bond between a mother and daughter. Set against the backdrop of her deep admiration for pop icon Henry Steel, Matilda’s world oscillates between the bright lights of her professional aspirations and quiet moments at home with her mother and best friend, Rosie.

Who can call themselves an artist? What does it mean to be one? How does art impact relationships?

Dave is on the quest to find answers, acceptance and love for his queer heart. Come dance, pray, mourn and unleash as we join him in his search to uncover these truths.

Described by audiences as ‘a love letter to artists and to art itself’ and following a successful premiere at the Edinburgh Fringe Festival and a sell out run at the Old Red Lion Theatre, quitelikeyou Productions are proud to present I’ve Never Met Anyone Quite Like You Before at Etcetera Theatre for one night only.

Directed by Amy Allen (Midas and Jury, Park Theatre) and performed by David Scotland and Robert Strange (The Lord of the Rings: The Rings of Power, Doctor Who), I’ve Never Met Anyone Quite Like You Before is the debut play by David Scotland.

Strictly 16+

Contains loud music and descriptions of disordered eating.

Reviews

everything theatre ★★★★

https://everything-theatre.co.uk/2024/05/review-ive-never-met-anyone-quite-like-you-before-old-red-lion-theatre/

‘In the smallest of black box studios, with nothing other than a great soundtrack and a blanket, David Scotland delivers a powerful, emotional journey that reinforces the connection with our fellow humans in our most vulnerable moments.’

Adventures in Theatreland ★★★★

https://www.adventuresintheatreland.com/post/i-ve-never

‘Touching and thought-provoking, I’ve Never Met Anyone Quite Like You Before takes its audience on a whirlwind journey through the writer’s life, while also encouraging them to examine similar themes within their own lives.’

ScotsGay Arts ★★★★

‘A stellar and gripping piece of new LGBTQI+ writing that deserves to be seen.’

British Theatre Guide ★★★★

https://www.britishtheatreguide.info/reviews/i-ve-never-met-thespace-on-the-22352

‘Warmly touching and physical.’

Critique – Vocal Media ★★★★

https://vocal.media/critique/i-ve-never-met-anyone-quite-like-you

‘Phenomenal. . . It is a true work of art.’

Audience Feedback

https://www.youtube.com/watch?v=ewClBzPaxeY

‘The chemistry between the actors was incredible.’

‘Great writing, direction and performances.’

‘I could watch it again in a heartbeat.’

‘The dance scene was one of the most moving pieces of theatre I have experienced in a long time.’

‘As a queer person, I felt like it was giving me a big cuddle.’

‘I’ll remember it for a long time.’

‘I felt seen. I felt heard and validated.’

‘We need more real, raw and authentic moments like that in the arts.’

Corset Story is a fun cabaret in which SELF&SOSSI explore the restraint and liberation imposed by corsetry through provocative love songs, piano, ukuleles, stories and physical theatre. Throughout history, corsets have been a significant piece of clothing, representing a void between patriarchy and feminism.

Audience feedback from performances at The Merlin Theatre, Frome and The Glitch, London.

"Self & Sossi have chosen the genre of Cabaret Opera as a container to bring together their different performance disciplines. Both performers have a passion for challenging gender stereotypes and promoting gender fluidity. At first glance the corset may be seen as a symbol of constraint and anti-feminism yet through the facets of constriction liberation can appear. Self & Sossi explore the bigger picture of gender in balance through touching autoethnography and their own physicality."

"Corset Story, an original piece of theatre written and performed by by Marina Sossi and Susie Self, is a kaleidoscope of original music, movement, historical vignette and personal reflection, bound together by the central theme of how the corset-like restraint of femininity-myths have shaped women's lives, and their roles in the creative industries. "

"Corset Story is richly inventive moving, funny, enlightening and thought-provoking Its heroines: performance artist Marina Sossi and composer/conductor Susie Self, are remarkably talented artists, who’ve unlaced their corsets, broken the mould, and dared to be all that they are."

In this extraordinary play, a "room" and a "cage" and "people" and "captive birds" all become confused until a dramatic climax in which we suddenly see reality.

Six women live in a locked room, each absorbed in her own petty interest and in placating the "Mistress" who takes care of them. They are singing, dancing and gossiping…

Then a "Wild One" is thrust in among them. She talks of breaking out of the room to find freedom. She troubles the others who remain secure in their cage,

and they all join against her in the shattering conclusion to this unforgettable play that offers eight actresses an unusual opportunity.

In this extraordinary play, a "room" and a "cage" and "people" and "captive birds" all become confused until a dramatic climax in which we suddenly see reality.

Six women live in a locked room, each absorbed in her own petty interest and in placating the "Mistress" who takes care of them. They are singing, dancing and gossiping…

Then a "Wild One" is thrust in among them. She talks of breaking out of the room to find freedom. She troubles the others who remain secure in their cage,

and they all join against her in the shattering conclusion to this unforgettable play that offers eight actresses an unusual opportunity.

In this extraordinary play, a "room" and a "cage" and "people" and "captive birds" all become confused until a dramatic climax in which we suddenly see reality.

Six women live in a locked room, each absorbed in her own petty interest and in placating the "Mistress" who takes care of them. They are singing, dancing and gossiping…

Then a "Wild One" is thrust in among them. She talks of breaking out of the room to find freedom. She troubles the others who remain secure in their cage,

and they all join against her in the shattering conclusion to this unforgettable play that offers eight actresses an unusual opportunity.

In this extraordinary play, a "room" and a "cage" and "people" and "captive birds" all become confused until a dramatic climax in which we suddenly see reality.

Six women live in a locked room, each absorbed in her own petty interest and in placating the "Mistress" who takes care of them. They are singing, dancing and gossiping…

Then a "Wild One" is thrust in among them. She talks of breaking out of the room to find freedom. She troubles the others who remain secure in their cage,

and they all join against her in the shattering conclusion to this unforgettable play that offers eight actresses an unusual opportunity.

When a Jane Austen heroine, unlucky in love, finds herself thrown into the modern world of dating, she must set aside her customs and expectations to brave this new world of courtship. But the unsolicited pictures and lack of chivalry may be all too much for her! Will she persevere for a chance to take charge of her own story and find love or retreat back into the safety of her pages?

When a Jane Austen heroine, unlucky in love, finds herself thrown into the modern world of dating, she must set aside her customs and expectations to brave this new world of courtship. But the unsolicited pictures and lack of chivalry may be all too much for her! Will she persevere for a chance to take charge of her own story and find love or retreat back into the safety of her pages?

When a Jane Austen heroine, unlucky in love, finds herself thrown into the modern world of dating, she must set aside her customs and expectations to brave this new world of courtship. But the unsolicited pictures and lack of chivalry may be all too much for her! Will she persevere for a chance to take charge of her own story and find love or retreat back into the safety of her pages?

Join Helen Wood as she heads into the great outdoors, with her trusty trug, on a quest to become an expert forager. In this quirky, feel-good comedy all aspects of foraging are unearthed and celebrated - the challenges, the dangers and the joy of discovering a new type of berry to turn into jam.

“Escapist, warm and very engaging.” Bath Fringe-goer 2024

This is the third in a series of five-star, sell-out Fan Club shows; Helen having previously shared her love of Ordnance Survey maps and her enthusiastic attempts to visit every National Trust property.

Reviews for The O.S. Map Fan Club:

***** “Endearing and zany. Comic genius.” Everything Theatre

***** “Ingeniously clever…warm and friendly.” The Wee Review

Must See Show “Wonderful, quirky and engaging.” Fringe Review

Review for The National Trust Fan Club:

**** “Highly skilled comic celebration.” - The Scotsman

Rachel and Max are an ordinary couple, living ordinary lives until something extraordinary turns everything upside down. Now they have the single most important decision of their life to make.

They piece together their thoughts, bit by bit, good and bad, speaking the things you shouldn’t say and contemplating the never ending ‘What ifs’.

Extra Ordinary follows Max and Rachel as they consider the news that their unborn baby will be born with Down’s syndrome. They are faced with many life-changing decisions -- should they proceed with further testing, how will their lives change, what complexities will their child have, will they be able to support their child? The list goes on. Ultimately, is there a right decision?

Extra Ordinary is an emotional rollercoaster, exploring the differing perspectives of a mother and father. As they debate, reflect, and consider all the possibilities, the question remains, will they reach a conclusion?

This piece of new writing examines the progress of science and the effects of the high- risk methods used to test mothers in similar situations today. Extra Ordinary is a powerful, thought-provoking experience that will leave you pondering, what you would do in their position?

Following the performance there will be a post-show Q&A with the actors and playwright. 

Who hasn’t fancied a teacher at one point or another? Laura definitely has! Not on purpose, he was charming and helped her with University applications. It’s all very romantic and fairytale like according to Laura. He is so sneaky and secretive. What’s the worst that could happen?

Who hasn’t fancied a teacher at one point or another? Laura definitely has! Not on purpose, he was charming and helped her with University applications. It’s all very romantic and fairytale like according to Laura. He is so sneaky and secretive. What’s the worst that could happen?

Enter the shadowy world of espionage, where a rookie secret agent puts his skills to the test, taking you on a gripping mission through mime and live soundscapes.
In A.I.M [An Invisible Mission], our agent races against time to crack his first mission - no cameras, no CGI, just two performers conjuring car chases, explosions, and spy intrigue live on stage. Watch as mime collides with live foley artistry in this genre-bending homage to spy films.
Fresh from a crowd pleasing pilot praised as “one of the best devised shows” ever seen and “beautifully executed,” this experimental show invites audiences to rediscover the thrill of storytelling through sound and movement. Mission Impossible meets Mime, this show is perfect for fans of inventive theatre, and anyone who’s ever wanted to be a spy.

Lost Property is a cutting-edge one-woman show that explores the complexities of womanhood and the intricate dynamics of female relationships.

Set during a morning tram commute, Alice, an unrelenting optimist, embarks on a journey to reclaim a lost possession after an encounter with a stranger. Retracing her steps over the past year, Alice confronts her recent decisions, untangling her morphed view of female solidarity in order to recover what she has lost.

Blending absurdity and comedy with poignant reflections on solidarity, Lost Property poses the provocative question: What do women truly owe each other?

★★★★★ “Clever, hilarious and poignant" - Tagg

★★★★ “A smart, sensitive treatise on how we relate to each other” - Theatre Matters

“A bravura performance that reaffirmed faith in the monologue” - Melbourne Observer

Enter the shadowy world of espionage, where a rookie secret agent puts his skills to the test, taking you on a gripping mission through mime and live soundscapes.
In A.I.M [An Invisible Mission], our agent races against time to crack his first mission - no cameras, no CGI, just two performers conjuring car chases, explosions, and spy intrigue live on stage. Watch as mime collides with live foley artistry in this genre-bending homage to spy films.
Fresh from a crowd pleasing pilot praised as “one of the best devised shows” ever seen and “beautifully executed,” this experimental show invites audiences to rediscover the thrill of storytelling through sound and movement. Mission Impossible meets Mime, this show is perfect for fans of inventive theatre, and anyone who’s ever wanted to be a spy.

Lost Property is a cutting-edge one-woman show that explores the complexities of womanhood and the intricate dynamics of female relationships.

Set during a morning tram commute, Alice, an unrelenting optimist, embarks on a journey to reclaim a lost possession after an encounter with a stranger. Retracing her steps over the past year, Alice confronts her recent decisions, untangling her morphed view of female solidarity in order to recover what she has lost.

Blending absurdity and comedy with poignant reflections on solidarity, Lost Property poses the provocative question: What do women truly owe each other?

★★★★★ “Clever, hilarious and poignant" - Tagg

★★★★ “A smart, sensitive treatise on how we relate to each other” - Theatre Matters

“A bravura performance that reaffirmed faith in the monologue” - Melbourne Observer

Enter the shadowy world of espionage, where a rookie secret agent puts his skills to the test, taking you on a gripping mission through mime and live soundscapes.
In A.I.M [An Invisible Mission], our agent races against time to crack his first mission - no cameras, no CGI, just two performers conjuring car chases, explosions, and spy intrigue live on stage. Watch as mime collides with live foley artistry in this genre-bending homage to spy films.
Fresh from a crowd pleasing pilot praised as “one of the best devised shows” ever seen and “beautifully executed,” this experimental show invites audiences to rediscover the thrill of storytelling through sound and movement. Mission Impossible meets Mime, this show is perfect for fans of inventive theatre, and anyone who’s ever wanted to be a spy.

Enter the shadowy world of espionage, where a rookie secret agent puts his skills to the test, taking you on a gripping mission through mime and live soundscapes.
In A.I.M [An Invisible Mission], our agent races against time to crack his first mission - no cameras, no CGI, just two performers conjuring car chases, explosions, and spy intrigue live on stage. Watch as mime collides with live foley artistry in this genre-bending homage to spy films.
Fresh from a crowd pleasing pilot praised as “one of the best devised shows” ever seen and “beautifully executed,” this experimental show invites audiences to rediscover the thrill of storytelling through sound and movement. Mission Impossible meets Mime, this show is perfect for fans of inventive theatre, and anyone who’s ever wanted to be a spy.

Fill Your Pockets with Sunshine is a drama that weaves together how childhood experiences and trauma can change the trajectory of one's life. Kezia embarks on a personal journey to explore and understand the complexities of mental illness, particularly in the context of familial relationships. Her show is a candid and heartfelt portrayal of the impact her mother’s mental illness has had on her life and identity.
Through storytelling, performance, and raw vulnerability, Kezia’s aim is to shed more light on the struggles faced by individuals and families grappling with mental health challenges. Her hope is that by sharing her story, it will help foster a deeper understanding in regards to this important issue.

Facebook: Kezianorton

Instagram Kezianorton

Fill Your Pockets with Sunshine is a drama that weaves together how childhood experiences and trauma can change the trajectory of one's life. Kezia embarks on a personal journey to explore and understand the complexities of mental illness, particularly in the context of familial relationships. Her show is a candid and heartfelt portrayal of the impact her mother’s mental illness has had on her life and identity.
Through storytelling, performance, and raw vulnerability, Kezia’s aim is to shed more light on the struggles faced by individuals and families grappling with mental health challenges. Her hope is that by sharing her story, it will help foster a deeper understanding in regards to this important issue.

Facebook: Kezianorton

Instagram Kezianorton

Fill Your Pockets with Sunshine is a drama that weaves together how childhood experiences and trauma can change the trajectory of one's life. Kezia embarks on a personal journey to explore and understand the complexities of mental illness, particularly in the context of familial relationships. Her show is a candid and heartfelt portrayal of the impact her mother’s mental illness has had on her life and identity.
Through storytelling, performance, and raw vulnerability, Kezia’s aim is to shed more light on the struggles faced by individuals and families grappling with mental health challenges. Her hope is that by sharing her story, it will help foster a deeper understanding in regards to this important issue.

Facebook: Kezianorton

Instagram Kezianorton

Following the announcement of a world ending meteor, Leo and Michelle find themselves working in a busy cocktail bar in the final days of Earth trying desperately to find meaning in the ensuing chaos.

Drawing from experiences of working in mental health, prepare for a night of humour and heart in Your Therapist Is Clueless. Weaving together hilarious anecdotes, poignant stories, and unexpected moments of insight from the everyday absurdities to the profound connections formed with clients and colleagues, this show offers a unique perspective on the highs and lows of working in a mental health drop in service. Prepare to laugh, reflect, and maybe even shed a tear as we navigate through the world of mental health with wit, warmth, and an unwavering sense of humanity.

Genre: Comedy

Duration: 50 mins

Price: £10

Social Media

Instagram your_therapist_is_clueless

Fill Your Pockets with Sunshine is a drama that weaves together how childhood experiences and trauma can change the trajectory of one's life. Kezia embarks on a personal journey to explore and understand the complexities of mental illness, particularly in the context of familial relationships. Her show is a candid and heartfelt portrayal of the impact her mother’s mental illness has had on her life and identity.
Through storytelling, performance, and raw vulnerability, Kezia’s aim is to shed more light on the struggles faced by individuals and families grappling with mental health challenges. Her hope is that by sharing her story, it will help foster a deeper understanding in regards to this important issue.

Facebook: Kezianorton

Instagram Kezianorton

Following the announcement of a world ending meteor, Leo and Michelle find themselves working in a busy cocktail bar in the final days of Earth trying desperately to find meaning in the ensuing chaos.

Drawing from experiences of working in mental health, prepare for a night of humour and heart in Your Therapist Is Clueless. Weaving together hilarious anecdotes, poignant stories, and unexpected moments of insight from the everyday absurdities to the profound connections formed with clients and colleagues, this show offers a unique perspective on the highs and lows of working in a mental health drop in service. Prepare to laugh, reflect, and maybe even shed a tear as we navigate through the world of mental health with wit, warmth, and an unwavering sense of humanity.

Genre: Comedy

Duration: 50 mins

Price: £10

Social Media

Instagram your_therapist_is_clueless

Following the announcement of a world ending meteor, Leo and Michelle find themselves working in a busy cocktail bar in the final days of Earth trying desperately to find meaning in the ensuing chaos.

Let’s get surreal buds! Step into a world of the plants with a day of TV on the best channel in the ecosystem. Terrarium Network is brought to you by the Thingymabobsss. Plant yourself down and catch up with the latest episode of The Monsteras, a reality TV show about everyone’s favourite cheese plant family. Or if you’re looking for some dinner time inspiration, dig into Cella Ree’s Recipes. Thirsty for some great crime drama? Catch up with the news of London’s most illustrious serial weed killer.

Event Details

Genre: Comedy

Duration: 60 mins

Price: £7.50

Social Media

Instagram thingymabobsss

Information

Contains adult themes

Suitable for ages: 16 and over

See venue page for accessibility information.

“When will I, will I be famous?” asked Bros. And that’s what Sara Louise Aston asks herself all the time. When will she be famous?
In the show, Sara tells us stories of the bonkers measures she has taken to try and become famous. It’s not happened yet but she is trying and God loves a tryer.
So sit back in your seat and take this charming and colourful ride with Sara as she describes the tales of the good, the bad and the quirky ways of how she has attempted to find fame. And who knows: maybe this show will make her famous? (Spoiler – probably not, but it will be fun!)

Event Details

Genre: Comedy

Duration: 45 mins

Price: £6.50

Social Media

Web: www.saralouiseaston.com

Facebook: saralouaston

Instagram comedyloulou

TikTok: @comedyloulou

Twitter: comedyloulou

YouTube @comedyloulou79

Information

I swear a little...

Suitable for ages: 14 and over

World premiere

See venue page for accessibility information.

Let’s get surreal buds! Step into a world of the plants with a day of TV on the best channel in the ecosystem. Terrarium Network is brought to you by the Thingymabobsss. Plant yourself down and catch up with the latest episode of The Monsteras, a reality TV show about everyone’s favourite cheese plant family. Or if you’re looking for some dinner time inspiration, dig into Cella Ree’s Recipes. Thirsty for some great crime drama? Catch up with the news of London’s most illustrious serial weed killer.

Event Details

Genre: Comedy

Duration: 60 mins

Price: £7.50

Social Media

Instagram thingymabobsss

Information

Contains adult themes

Suitable for ages: 16 and over

See venue page for accessibility information.

“When will I, will I be famous?” asked Bros. And that’s what Sara Louise Aston asks herself all the time. When will she be famous?
In the show, Sara tells us stories of the bonkers measures she has taken to try and become famous. It’s not happened yet but she is trying and God loves a tryer.
So sit back in your seat and take this charming and colourful ride with Sara as she describes the tales of the good, the bad and the quirky ways of how she has attempted to find fame. And who knows: maybe this show will make her famous? (Spoiler – probably not, but it will be fun!)

Event Details

Genre: Comedy

Duration: 45 mins

Price: £6.50

Social Media

Web: www.saralouiseaston.com

Facebook: saralouaston

Instagram comedyloulou

TikTok: @comedyloulou

Twitter: comedyloulou

YouTube @comedyloulou79

Information

I swear a little...

Suitable for ages: 14 and over

World premiere

See venue page for accessibility information.

“When will I, will I be famous?” asked Bros. And that’s what Sara Louise Aston asks herself all the time. When will she be famous?
In the show, Sara tells us stories of the bonkers measures she has taken to try and become famous. It’s not happened yet but she is trying and God loves a tryer.
So sit back in your seat and take this charming and colourful ride with Sara as she describes the tales of the good, the bad and the quirky ways of how she has attempted to find fame. And who knows: maybe this show will make her famous? (Spoiler – probably not, but it will be fun!)

Event Details

Genre: Comedy

Duration: 45 mins

Price: £6.50

Social Media

Web: www.saralouiseaston.com

Facebook: saralouaston

Instagram comedyloulou

TikTok: @comedyloulou

Twitter: comedyloulou

YouTube @comedyloulou79

Information

I swear a little...

Suitable for ages: 14 and over

World premiere

See venue page for accessibility information.

Welcome to a world where suffering is currency, where trauma is art, and where pain is the ultimate proof of existence. In this surreal, gut-wrenching journey, a wanderer ascends a crumbling building, floor by floor, through a labyrinth of twisted memories and psychological wreckage.
Alongside them, a stranger hoards grotesque X-ray vinyl—warped, fractured, and prized for the sickness captured within. Each floor unveils a spectacle of decaying dreams, anxious stagnation, and the seductive lure of suffering as identity.
Inspired by the Jirai Kei phenomenon, And Tonight No One Descends is an experimental theatre piece which explores how pain is internalised and externalised in different ways. Will you watch from a distance, or will you recognise yourself in the wreckage? Through this journey, the play examines the universal struggle with trauma, inviting audiences to reflect on their own experiences with empathy and understanding.

Event Details

Genre: Theatre

Duration: 60 mins

Price: £15

Social Media

Web: pricklyash.framer.website/

Instagram prickly.ash.theatre

Information

Suitable for ages: 12 and over

See venue page for accessibility information.

Welcome to a world where suffering is currency, where trauma is art, and where pain is the ultimate proof of existence. In this surreal, gut-wrenching journey, a wanderer ascends a crumbling building, floor by floor, through a labyrinth of twisted memories and psychological wreckage.
Alongside them, a stranger hoards grotesque X-ray vinyl—warped, fractured, and prized for the sickness captured within. Each floor unveils a spectacle of decaying dreams, anxious stagnation, and the seductive lure of suffering as identity.
Inspired by the Jirai Kei phenomenon, And Tonight No One Descends is an experimental theatre piece which explores how pain is internalised and externalised in different ways. Will you watch from a distance, or will you recognise yourself in the wreckage? Through this journey, the play examines the universal struggle with trauma, inviting audiences to reflect on their own experiences with empathy and understanding.

Event Details

Genre: Theatre

Duration: 60 mins

Price: £15

Social Media

Web: pricklyash.framer.website/

Instagram prickly.ash.theatre

Information

Suitable for ages: 12 and over

See venue page for accessibility information.

Welcome to a world where suffering is currency, where trauma is art, and where pain is the ultimate proof of existence. In this surreal, gut-wrenching journey, a wanderer ascends a crumbling building, floor by floor, through a labyrinth of twisted memories and psychological wreckage.
Alongside them, a stranger hoards grotesque X-ray vinyl—warped, fractured, and prized for the sickness captured within. Each floor unveils a spectacle of decaying dreams, anxious stagnation, and the seductive lure of suffering as identity.
Inspired by the Jirai Kei phenomenon, And Tonight No One Descends is an experimental theatre piece which explores how pain is internalised and externalised in different ways. Will you watch from a distance, or will you recognise yourself in the wreckage? Through this journey, the play examines the universal struggle with trauma, inviting audiences to reflect on their own experiences with empathy and understanding.

Event Details

Genre: Theatre

Duration: 60 mins

Price: £15

Social Media

Web: pricklyash.framer.website/

Instagram prickly.ash.theatre

Information

Suitable for ages: 12 and over

See venue page for accessibility information.

Welcome to a world where suffering is currency, where trauma is art, and where pain is the ultimate proof of existence. In this surreal, gut-wrenching journey, a wanderer ascends a crumbling building, floor by floor, through a labyrinth of twisted memories and psychological wreckage.
Alongside them, a stranger hoards grotesque X-ray vinyl—warped, fractured, and prized for the sickness captured within. Each floor unveils a spectacle of decaying dreams, anxious stagnation, and the seductive lure of suffering as identity.
Inspired by the Jirai Kei phenomenon, And Tonight No One Descends is an experimental theatre piece which explores how pain is internalised and externalised in different ways. Will you watch from a distance, or will you recognise yourself in the wreckage? Through this journey, the play examines the universal struggle with trauma, inviting audiences to reflect on their own experiences with empathy and understanding.

Event Details

Genre: Theatre

Duration: 60 mins

Price: £15

Social Media

Web: pricklyash.framer.website/

Instagram prickly.ash.theatre

Information

Suitable for ages: 12 and over

See venue page for accessibility information.

Welcome to a world where suffering is currency, where trauma is art, and where pain is the ultimate proof of existence. In this surreal, gut-wrenching journey, a wanderer ascends a crumbling building, floor by floor, through a labyrinth of twisted memories and psychological wreckage.
Alongside them, a stranger hoards grotesque X-ray vinyl—warped, fractured, and prized for the sickness captured within. Each floor unveils a spectacle of decaying dreams, anxious stagnation, and the seductive lure of suffering as identity.
Inspired by the Jirai Kei phenomenon, And Tonight No One Descends is an experimental theatre piece which explores how pain is internalised and externalised in different ways. Will you watch from a distance, or will you recognise yourself in the wreckage? Through this journey, the play examines the universal struggle with trauma, inviting audiences to reflect on their own experiences with empathy and understanding.

Event Details

Genre: Theatre

Duration: 60 mins

Price: £15

Social Media

Web: pricklyash.framer.website/

Instagram prickly.ash.theatre

Information

Suitable for ages: 12 and over

See venue page for accessibility information.

NAZERETH LOVE JONES LIVE

Making its fourth appearance, and second at the Etcetera Theatre in Camden, Noli is the festival for short films too experimental, too daring, too ‘amateur’ or simply too long for the mainstream circuit. We want to establish an independent network of our own that values cinema and creativity, outside of the corporatised events that have come to dominate the scene. With this event, you are buying into cinema culture, which means having an atmosphere to be part of, a place to hang out, your own corner of London that works for you and you work for it (ie. you enjoy it!). Find out more: nolishortfilmfestival.wordpress.com